Art Must Be Beautiful 1975
But at my age now I have started thinking that beauty is not so bad.
Art must be beautiful 1975. Her works have often involved pain and endurance. Edition of 16 with 3 APs. With a brush in one hand and a comb in the other she works.
Art Must Be Beautiful Artist Must Be Beautiful Copenhagen Denmark 1975 was one of Marina Abramovics first performances. With a brush in one hand and a comb in the other she works on her face and hair while repeating the sentence art must be beautiful artist must be beautiful as if she is in pain. 2975 x 395 inches 756 x 1003 cm framed text panel.
In Art Must Be Beautiful Artist Must Be Beautiful 1975 originally performed and documented at the Charlottenburg Art Festival Copenhagen Abramović sits naked holding a brush in one hand and a comb in the other. Art Must be BeautifulArtist Must be Beautiful. Abramović performing Art Must Be Beautiful Artist Must Be Beautiful 1975 But beyond the personal transcendence Abramović approached her art as a gateway into the largest most universal questions of meaning in human life.
Marina AbramovicArt must be beautiful. While so doing I continuously repeat Art must be beautiful Artist must be beautiful until I have destroyed my hair and face. Synopsis It looks like we dont have a Synopsis for this title yet.
The artist is seen aggressively combing her long hair. Art Must Be Beautiful 1975 Marina Abramović Revolving Door 2011 Allora Calzadilla Coming Soon 2015 Cao Fei R155 2015 Dominique Gonzalez-Foerster In the age of the Internet the live experience has become even. Available for sale from Sean Kelly Gallery Marina Abramović Art Must Be Beautiful Artist Must Be Beautiful 1975.
In Art Must Be Beautiful Artist Must Be Beautiful her iconic 1975 performance-for-video she aggressively combs and brushes her long hair teasing it up while repeating art must be beautiful artist must be beautiful. As in the series Freeing Freeing the Body Freeing the Voice and Freeing the Memory in 1976 this piece is not about physical pain but rather about the mental state that can be reached through pain. The camera faces her frontally so that the artist looks directly at the viewer.